Life Is a Tomato Right Off the Vine. Al Fountain, Monday, July 2nd, 4:32 PMTom DiCillo’s Coming-Of-Middle-Age Comedy “Box of Moonlight” Film ReviewJan 28, 2022Jan 28, 2022
Romance Rift with XenophobiaRainer Werner Fassbinder’s “Ali: Fear Eats the Soul” Film ReviewNov 27, 2021Nov 27, 2021
What Do You Get When You Combine A Dismal Landscape, Iranian Vampires, and Romance?Ana Lily Amirpour’sFilm Debut: “A Girl Walks Home Alone At Night” — The World’s First Iranian Vampire Spaghetti Western Film ReviewMay 25, 2021May 25, 2021
Screaming From The Rooftops: Yemeni People Are More Than Your War7 x 7 // 7 Artists, 7 Years Film SeriesMar 24, 2021Mar 24, 2021
Relationship Woes: Highs & Lows, Captured Beautifully By An All Female CrewTara Miele’s Euphoric Ugly-Cry Inducing Cerebral Picture, “Wander Darkly” Film ReviewFeb 23, 2021Feb 23, 2021
A Love Letter To Cary Grant5 Good Reasons Why Cary Grant Continues To Induce Heart FluttersFeb 8, 2021Feb 8, 2021
Arab Film Fest Collab 2020 — Part 1“Representing Diaspora” A Short Film Program ReviewJan 10, 2021Jan 10, 2021
Caution: Painfully Poignant Performance AheadKelly Reichardt’s Somber Screenplay, “Wendy and Lucy” (2008) Film ReviewDec 2, 2020Dec 2, 2020
How A 10-Minute One-Shot Take Of Joshua Burge Devouring Spaghetti On Camera Became My Favorite…Joel Potrykus’ Slacker Masterpiece “Buzzard” (2014) Film ReviewNov 11, 2020A response icon1Nov 11, 2020A response icon1
A Floral Telling Of A Bronze History: Jinn & YouthEmirati Artist, Farah Al Qasimi’s “Um Al Naar (Mother Of Fire)” Film ReviewOct 28, 2020A response icon1Oct 28, 2020A response icon1
